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TIME: Almanac of the 20th Century
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TIME, Almanac of the 20th Century.ISO
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1990
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93
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apr_jun
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0419540.000
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1994-02-27
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<text>
<title>
(Apr. 19, 1993) Died:Marian Anderson
</title>
<history>
TIME--The Weekly Newsmagazine--1993
Apr. 19, 1993 Los Angeles
</history>
<article>
<source>Time Magazine</source>
<hdr>
MILESTONES, Page 24
MARIAN ANDERSON
</hdr>
<body>
<p> 1897 - 1993
</p>
<p> She leaves behind a profusion of memories: of the racial and
cultural barriers she transcended, her serenity and generosity
of spirit and above all the divine contralto voice whose range
and texture achieved the sonic equivalent of radiance.
</p>
<p> Shut out by Jim Crow laws from performing on the American
operatic stage, Anderson began touring Europe in the 1920s,
drawing vast acclaim and moving deeply all who felt the powerful
magnetism of her art. After Anderson was barred in 1939 from
singing in Washington's segregated Constitution Hall, Eleanor
Roosevelt intervened and arranged for her to perform at the
Lincoln Memorial. Ever reserved, Anderson uttered no complaint.
When 75,000 blacks and whites assembled at the foot of Lincoln's
statue on Easter 1939, they came not just to hear the glorious
register of Anderson's voice but also to witness a force that
was quietly conquering color boundaries. Her grace under stress
conveyed to all Americans a message that blacks had a profound
contribution to make to America's cultural life--an expression
of moral force that flowed on to connect with Martin Luther King
in the 1960s.
</p>
<p> Anderson first began singing at age six, learning
spirituals at the Union Baptist Church in her hometown of
Philadelphia. Her personal fortitude grew out of her faith. "The
treasure of religion helps one to face the difficulties one
sometimes meets," she allowed. Traveling the country, usually
carrying her own bags and ironing her own clothes, she sang with
a passion drawn from the burdens she had carried. Because of her
color, she was usually forced to enter concert halls and hotels
through service entrances. She never sought her lasting place
in America's struggle over race relations, yet she did not shirk
its weight. When she died last week, her fame was long assured.
Whether as the first black singer to perform in the White House
(1939), or as the first black to sing in New York's Metropolitan
Opera (1955), she never raised her voice except in song. And
when she sang, the walls came tumbling down.
</p>
</body>
</article>
</text>